Anna Melville, Head of Programming with the ACO gave the introductory talk. I am not alone in enjoying her talks and the small presentation room was packed, with people sitting on the floor to listen. She talks about the context in which the music was written and adds a thing or two about the music that we might otherwise not hear.
|Anna Melville presents|
ACO members were augmented by wind instrumentalists from the world over, and by students from the Australian National Academy of Music, ANAM. It was heart warming to see each of the young musicians playing beside their mentor. The ACO works extremely hard but they are a happy crew and I can't think of a better way to be introduced to the playing life than as a member of this band. They were all playing on gut strings, perhaps a first for some of the students, and several disappeared to get strings mended when they broke. (Melville had told us that there is an expert in re-stringing instruments back stage.)
They all played magnificently and the audience was rapt. What a pleasure to know that these young folk have chosen classical music as their career choice. Or perhaps music has chosen them. Right in my line of sight sat ANAM student James Morley with his cello shining yellow in the hall lighting. I couldn't resist making a little sketch as he played.
|James Morley with his cello|