Monday, July 29, 2019

Donizetti's Anna Bolena in Sydney

My ticket for Donizetti's opera Anna Bolena was accidental, a swap for one earlier in the year that I couldn't attend. I had no expectations. I knew neither of the lead singers and had read no reviews so I was amazed and thrilled to be transported by a most wonderful performance.

All of the singers were excellent and all gave believable theatrical performances. Ermolena Jaho sang Anne Boleyn. Her voice seemed lighter than that of Romanian Carmen Topciu who sang the part of Jane Seymour with aplomb. Topiciu seemed a bit wooden at first but I grew to like her portrayal of the character as the opera wore on. Anna Dowsley sang the young and naive Lord Rochford with verve, humour, and excellent voice. My only quibble was the characterisation of King Henry. Teddy Tahu Rhodes sang King Henry well but his parts all seem to include swagger and macho baring of chest. It would be helpful if Opera Australia would consult a woman when they direct men who woo women, then we might get more believable wooing theatrics.

The stage set was digital effects on moving panels could also do with some tweaks. I found all the bugs and flapping birds and butterflies diverting rather than helpful. Dear digital team, please remember that the audience has fertile imaginations and needs rather less help from you.

Bravo to Opera Australia and all of the cast. Anna Bolena is a long opera, three and a half hours with one interval, and the long passages of repetitive singing that added little to the story could have been wearing, but because the singing and direction were both excellent (and the costuming - bravo to the designer) it didn't feel too long at all.

The photo below of the cast taking bows shows some of the stage panels. The lack of colour in the costumes (Carmen Topciu taking the bow was in bright red) is just a comment on the failure of my phone camera to record colours in a dark theatre.


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