Ranunculus

Once the Ranunculus start flowering, we know spring really is here. 

Die Walkurie in Sydney

The Sydney Symphony Orchestra put on a sung version of Wagner's Die Walkürie this month and both performances were sold out, as well they might be with Simone Young conducting and a selection of international singers at the top of their game. The performance I went to got an extended standing ovation from the delighted audience. 

Last year the first of the four operas, Rheingold, was performed and next year comes Siegfried. What a feast. 

I made some etchings of Simone Young in 2009 when I was in Hamburg and she was Artistic Director at the Hamburg State Opera. The city was having a building boom, not least was the Elbsymphonie, with cranes everywhere, and they crept into the etching. It is in the book 'Painted Musicians' (previous post). 

The Painted Orchestra

New book! 

The Painted Orchestra is a book of sketches and paintings of The Australian Chamber Orchestra. 

It is full to the brim with illustrations showing how sketches translate into portraits. Read more about it: 

 https://artsmitten.com/artsmitten/books/the-painted-orchestra/

The Painted Orchestra is available at your local bookstore or on Amazon.

Amazon UK – Amazon Germany – Amazon Australia – Amazon USA

Water

This summer has been cloudy, or rainy or stormy and after so much wet the water has nowhere to go. This morning's photo is similar to any I could have taken over the past four months. 

I feel so sorry for the many who have had their homes destroyed by the floods and who are having to wait such a long time for help from our tardy governments, state and federal. I live on a hill but even here we have had an overflowing stormwater drain that is causing problems. The drain is broken and blocked, probably ever since the NBN was installed. My neighbours tell me the pit was open for months and now the storms are here that is the very place causing problems. 

I've been washing the stones my predecessor put along the wall. They had become slimy and smelly in standing water. I left an empty bucket outside last night with stones in the botzom - it became a sort of rain gauge.

Too windy for cacti

It's been so windy here in Sydney that the tops blew off a neighbourhood cactus. 

Garden rescue in covid times

I have lived here over a year now. When I arrived the garden was lawn and the patch of ground between fence and path was weeds. 

Early very morning I walked down the hill and back up. At the bottom of the hill I discovered a pretty garden with a yellow-flowered bush growing right over the path. When I saw the house occupant there one morning I asked if I could take a slip. She turned out to be an avid gardener and said: 

"Why yes, take a big piece, or several, so it grows. It will grow in difficult ground so councils plant it. It is a type of Lantana, but not the one that takes over."

So I took slips and stuck them in pots over summer to see if they would take. 

They all survived and I planted them in the inhospitable soil between fence and path. They are thriving there and now I have yellow flowers right along the fence. 

On the other side of the fence the lawn is slowly being replaced by flowering plants, two blueberry bushes and  last week, a rhubarb plant. Gardens are a marvelous tonic in Covid times.

(The bush in the photo is a Hibiscus, the only plant in the garden when I arrived.)

Highrise

Stations in NSW have become the focus for high rise buildings in Sydney. Since regulations were loosened by our neoliberal NSW state government the quality of high rise buildings has become so poor that not even investors are enthusiastic about buying them. There are still some suckers out there like the young woman who featured in the newspapers early in the year. She had spent her fortune on an apartment and was faced with a huge bill for replacing the cladding even before she moved in.  She was quoted as saying ' I didn't even know what cladding was, I had to look it up!' Buyer beware.

These highrise buildings are (or were before Covid) spreading relentlessly along highways as well. A piece of publicly owned land on the Princess Highway in Arncliffe was sold (given?) to developers last year and a  row of buildings rose out of the ground, ever higher. I have watched it's progress with fascination as it slowly blocked the sun from all around. Late last year the developer went bust and all the investors lost their down payments. The newspapers were full of stories of investors and those who had sold the apartments on commission. The building was eventually restarted and resumed it's climb to the heavens.

Now the buildings are finished and when I go for my early morning walk I marvel at how they dominate the landscape. A lot of apartments in Sydney are vacant now and rents are falling in line with decreasing immigration and non existent students. Not all the lobbyists in Canberra can force the borders open at the moment so the refrigerator salesforce will have to change their sales settings. The second tranche of buyers (if there was one) might be regretting their purchases by now. Houses that have had the sun stolen will be feeling equally disenfranchised.

Coronavirus in Sydney

I've been thinking of setting up a blog to track Coronavirus but things are moving so very quickly that it is hard to keep up. Sydney is suddenly tracking quickly along that exponential curve we are familiar with from Wutan and Italy. Today we have 11 new cases in NSW that are not connected to previously infected people or to overseas travel, so we are definitely in phase 2. A couple of weeks ago I would not have believed I would be socially distancing to the extent I am. Keeping 6 feet from everyone and staying home as much as possible. No more concerts, at least for now. My heart goes out to all the musicians affected (among many others). Now is the time for universal basic income.  The next two weeks will be a torrid time but I am hoping we can avoid Italy's fate. There are 10 pages of obituaries in today's Milan newspaper.

Much depends on our government and the problem we have is that our current government has been rewarded for focusing on tribal politics and they now seem incapable of thinking outside the square. Trump does something outlandish and our PM Morrison seems to do the same thing. They are cut from the same cloth, both marketing men with empathy deficit. In addition Morrison is an active member of a penticostal church that is getting ready to welcome the rapture (after they have all made lots of money). It is not very encouraging for the Australian public to have the medical establishment's opinion overruled or derided, although I must say it is refreshing to see the science establishment is at least being consulted.

This virus will show us just how important science actually is and will perhaps give us the opportunity to change our ways, as we will have to do to survive climate change. I had just about given up on the chances of the human race to survive, now I am not so sure.  This nasty lesson will hopefully refocus us on what is really important.

Australia, land of extremes

After months of fires, the East Coast of Australia now has floods. During the fires the Australian Broadcasting Service (ABC) did a wonderful job of keeping people informed about which areas were under threat, when they should leave adn where they should go. Yesterday afternoon and evening  the same team were again giving evacuation advice, but this time for floods. After two days of torrential rain,  300mm fell on many parts of Sydney overnight  and 500mm on the Blue Mountains. Transport is in chaos today and people are being advised to work from home today if they can.

I read now that south coast people now approach ABC staff to thank them for help in desperate times. In many cases, with power off and no wifi, these people were dependent on battery radios for their information and the ABC was the outstanding performer.

It is hard to believe, but our far-right wing government favours a commercial station over their own ABC, paid for and owned by the Australian people. They have cut the ABC and cut it again, and more cuts are planned. They don't like having a broadcaster that is neutral and tells the truth. Who cares that they are the best source of information by a country mile? Woe is us.

Some trickster has doctored a photo of the harbour bridge to make it appear like a waterfall. Probably some will believe it, such is fake news in our era. If you want to see a real waterfall, search for Wentworth Falls on google. Those falls in the Blue Mountains are bucketing down the cliff after so much rain.

Fake floods - tricksters phototshopped image

Real floods in Sydney yesterday (photo: ABC)

Surviving the Sydney Property Circus

After months of visiting open houses I finally have a new home. I move in next Wednesday.

There has been a pause in blog posts but that doesn't mean I stopped writing. I kept a diary of my property gyrations which is now a book called Surviving the Sydney Property Circus: a Seller's/Buyer's diary. It is available on Amazon.

https://www.amazon.com/dp/B08114TJH1

 It's an E-Book.

Addendum: the Paperback version is now available at:  https://www.amazon.com.au/Surviving-Sydney-Property-Circus-Sellers-ebook/dp/B08114TJH1

Il Viaggio a Reims in Sydney

Rossini's Il Viaggio a Reims is not your usual opera with a plot (however absurd) and beginning, middle and end. Instead it is a spoof on opera,  a very long (3 hour) sing with a great deal of repitition.   To the credit of Opera Australia and their collaborators (Dutch National Opera, Amsterdam Opera, Royal Danish Opera) the audience was entranced from beginning to end. Phenomenal singing and an ingenious staging. Bravo!

Andrea Chenier in Sydney

Australia is a long way from Europe so the three lead singers in this concert performance of the opera Andrea Chenier, Jonas Kaufmann, Eva-Maria Westerbroek and Ludovic Tézier, had long flights behind them. I admire the fortitude of singers who are prepared to travel so far to sing to us. All three were magnificent on Thursday night  and the audience showed their appreciation by applauding wildly whenever there was a suitable break in the performance, and sometimes when there was a less suitable gap.

List of singers

All the singers performed well and since my seat was fairly near the front I heard all clearly. How those at the back fared I don't know as the acoustics in this building leave a lot to be desired.

Singers leave the stage after bows were taken.
I was too busy applauding to take a better photo earlier.

The flower decorations were as magnificent as the singers

Donizetti's Anna Bolena in Sydney

My ticket for Donizetti's opera Anna Bolena was accidental, a swap for one earlier in the year that I couldn't attend. I had no expectations. I knew neither of the lead singers and had read no reviews so I was amazed and thrilled to be transported by a most wonderful performance.

All of the singers were excellent and all gave believable theatrical performances. Ermolena Jaho sang Anne Boleyn. Her voice seemed lighter than that of Romanian Carmen Topciu who sang the part of Jane Seymour with aplomb. Topiciu seemed a bit wooden at first but I grew to like her portrayal of the character as the opera wore on. Anna Dowsley sang the young and naive Lord Rochford with verve, humour, and excellent voice. My only quibble was the characterisation of King Henry. Teddy Tahu Rhodes sang King Henry well but his parts all seem to include swagger and macho baring of chest. It would be helpful if Opera Australia would consult a woman when they direct men who woo women, then we might get more believable wooing theatrics.

The stage set was digital effects on moving panels could also do with some tweaks. I found all the bugs and flapping birds and butterflies diverting rather than helpful. Dear digital team, please remember that the audience has fertile imaginations and needs rather less help from you.

Bravo to Opera Australia and all of the cast. Anna Bolena is a long opera, three and a half hours with one interval, and the long passages of repetitive singing that added little to the story could have been wearing, but because the singing and direction were both excellent (and the costuming - bravo to the designer) it didn't feel too long at all.

The photo below of the cast taking bows shows some of the stage panels. The lack of colour in the costumes (Carmen Topciu taking the bow was in bright red) is just a comment on the failure of my phone camera to record colours in a dark theatre.

Alexander Gavrylyuk in Sydney

Alexander Gavrylyuk plays

The Ukrainian born Australian virtuoso pianist Alexander Gavrylyuk played in Sydney last night. The audience held their breaths as he wrung emotion from Bach, Haydn, Chopin, Scriabin, Rachmaninoff and wildly applauded whenever there was an opportunity. As the man in front of me nodded in time to Rachmaninoff's Preludes I wondered when he had last heard them played so convincingly. 

The little sketch above was made early in the evening and captured Gavrylyuk in one of his seldom upright moments. He danced with, pounded and caressed the piano, often bent so low that he looked as if he might hit his head on the music stand. Whatever his posture, his playing was extraordinary.

Songs for Refugees at the Sydney Opera House

Such a moving concert last night at the Utzon Room in the Sydney Opera House.  Three wonderful musicians with passion and insight led us through an emotional repertoire in response to the plight of refugees, particularly those still incarcerated by the Australian Government on Manus and Nauru.

Soprano Ayse Goknur Shanal led the trio with her extraordinary lush and expressive voice, accompanied by cellist Kenichi Mizushima and pianist Harry Collins. The three of them together were riveting and the instrumentalists together (two numbers) equally so.

Cellist Kenichi Mizushima

Hearing artists perform with such passion is an unforgettable experience and these three received a well deserved standing ovation at the end of this generously long concert.

Furruccio Furlanetto sings Schubert in Sydney

Ferruccio Furlanetto sings

Schubert's Winterreise sung by a bass?  Usually this moving song cycle is sung by tenor or baritone and the only bass version I had previously heard had not appealed to me. This evening I heard Furruccio Furlanetto sing Winterreise and realised that it is not the voice type but the ability of the singer to transmit its message to the audience that matters.

Furlanetto is a wonderful sniger and I was captivated by his rendition of this lovely work. It was so expressive and heartfelt while not being forced or over acted. 

Just a delightful concert.

A very late train home

I heard a delightful concert last night, but  my trip home was not so delightful.  The electronic train signage said the train went north but instead it went west and I landed in Blacktown. It didn't help that I was playing patience on my phone and missed announcements for the first few stations.

By the time I realised what had happened it was almost too late ... luckily I registered the Blacktown announcement or I would have landed in Penrith and it would have been too late to get home.

I had a long wait until I could get a train back to Strathfield to catch the train I needed, but oh well, at least I did get home eventually - if very late. This happened to me once before several years ago at Strathfield, but that time a lot of other people were with me. Perhaps last night other misled passengers got off earlier, while I was immersed in my card game.

Imogen Cooper - a win win situation

Imogen Cooper plays

You have to be careful what sort of concert you hear after a five star Parsifal but I think I chose just the thing. I heard pianist Imogen Cooper playing Beethoven and Hayden at the Sydney City Recital Hall.

Cooper is as expert in her field as the Parsifal singers were in theirs and the program she chose was clever as well. Light-hearted Beethoven Bagatelles leading into a serious Hayden then a fun Beethoven Variations (yes, Beethoven can be surprisingly witty) before a sombre-piquant piece by Adès leading into Beethoven's Sonata 31, the final piece.

Cooper played the Bagatelles with impish charm. Actually charm sums up a lot of Cooper. She is humorous and enthusiastic and it shows in her music making. After the concert someone near me complemented her playing and she replied “ Well I enjoy playing for you so it's a win win situation."

After the fun pieces she jumped up off the piano stool to bow with a grin but the final Beethoven sonata was different. Captive to the music, she came back to us with much more difficulty. I find those exposed intimate moments so telling. The feeling was mirrored in her.listeners who clapped her back onto stage again and again - not so common in Sydney audiences.

Music played with aplomb and depth of feeling. Cooper and Parsifal have lots in common.

Two times Parsifal

If you look at blogs about recordings of Wagner's music you find connoisseurs discussing which singer is best on which recording. Each recording has one or two blemishes together with outstanding performers.  It is rather a pity that the Sydney Parsifal was not recorded (at least not to my knowledge) as there were no blemishes at all.

Music is so therapeutic. I was still energy-less after a nasty travel gastro when I booked the Tuesday performance (I had already booked Saturday). I thought the music would help recovery and I was right. The Adelaide Ring Cycle had helped me in similar circumstances, resulting in a book.

Parsifal in Sydney

I was reading Wagner's letters to Mathilda Wesendonk (original version, online for free) on the way to Sydney to see Wagner's opera Parsifal and came across a letter (July 1859) telling Mathilda about Wolfram's book Parsifal. 'There are so many gaps in the story,' writes Wagner, 'if you wrote an opera you'd have to explain too much. It won't be me who writes it! Let someone else do it and Liszt can write the music!” 

He also recommends Mathilde read a book on Buddhism that he had recently discovered. At the time Wagner was immersed in Tristan and Isolde, but his letters show the beginnings of Parsifal even at this early stage.
 
I thought about Wagner's letter as I listened to bass Kwangchul Youn sing the role of Gurnemanz, the character who does most of the 'explaining' in this over five hour opera. Youl sang his very long part part with firmness and vocal ease setting the stage for a wonderful cast of characters of carry on the story. The wonderful reviews this performance is receiving are well deserved (five and a half stars out of five). 
 

Purple carpet in the Sydney Opera House

Dinner on the purple steps.

Parsifal is seldom performed in Australia so it was no surprise to find that Wagner fans had flown in from all over the country to hear this concert performance. I overheard guests remarking on the large number of people from Melbourne in the audience and I bumped into a friend from New Zealand who booked tickets to two of the three performances. His mate was going to all three. Well, it's Parsifal, so why wouldn't you if you could? Particularly with the singers Opera Australia lined up for the performance which include star German tenor Jonas Kaufmann, American mezzo soprano Michelle DeYoung and Australian baritone Warwick Fyfe. Not many singers can sing these demanding roles but this cast was, without exception, excellent, even faced with the very ordinary concert hall acoustics.

The sooner Sydney gets an acoustically wonderful opera house the better but how could an opera house anywhere else compete with these views?

View from the Sydney Opera House