Showing posts with label piano. Show all posts
Showing posts with label piano. Show all posts

Wednesday, August 08, 2018

Steven Osborne piano (or Hello Marcellous!)

It isn't often at a concert that you discover you are sitting next to someone whose blog you follow.

The Scottish (not English, thank you Marcellous for the correction) pianist Steven Osborne played Debussy and Prokofiev last night at the Angel Place Hall.
I love the music of the romantics, from Beethoven to Sibelius but have never been a big fan of French impressionists like Debussy.  Osborne, however, took the opportunity to talk to his audience before playing each piece (he said it relaxes him) and told us a bit about composing music which gave me a better insight into this music. He said it is relatively easier to compose a piece in which a couple of tunes fit into an agreed structure than a piece (like Debussy's music) which is a single piece carrying itself forward without a pre-agreed structure. I listened to the Debussy pieces more attentively than I would have done without the explanation.

My seat neighbour didn't seem terribly enamoured with a pianist talking about the music before playing. He had swept in just before the concert, with bright pink scarf flying and a glimpse of red rimmed button holes on a black coat.
Something about the way he listened to the music made me think he may be a pianist himself, so I asked him during the interval.
'Yes', he said, ' Well no. Well I used to be! But yes!'
He turned and asked me, 'Are you?' 
'No.' 
'You're an artist or something?'
(I'd doodled little sketches of Osborne in my program.)
'Yes.' I said. 'Yes, and I often paint musicians.'
He considered.
'Did you grow up in New Zealand?' he asked.
'Yes I did,' I said, thinking he had picked up my accent. 
'Oh,' he laughed, 'I read your blog! And you read mine!'

How often do you find yourself sitting next to someone whose blog you follow? The blogs I follow are an eclectic bunch, usually discovered by accident and mainly well written diaries giving me an insight into lives different very from my own. Among them are a couple of blogs written by people who know much more about music than I do and who sometimes hear the same concerts I have heard. I visit their blogs to read what a formally trained musician thinks of the music I have heard - although not before writing my own impressions. 

'Well I wonder who you are?' I replied rather disconcerted. 
Angel Place hall holds 1200 people and even if you know another blogger might be in the audience, you don't expect to be sitting next to them, or if you are, you don't expect to be told.
'Are you Marcellous?' I asked. 
Once or twice in five years Marcellous and I have commented on each other's blogs, which puts us, I suppose on the end of the friendship spectrum below 'vague acquaintance' level. 
He laughed. 'Yes I am!

It was a very odd feeling discovering the reality behind the blog, a feeling we seemed to share. But perhaps if we are seated next to each other again we might find we have progressed up the friendship table to 'more than vague acquaintances'. 

Hello Marcellous! My spell-correct keeps changing your name to Marvellous.

Tuesday, November 21, 2017

Alexander Gavrylyuk in Sydney

Alexander Gavrylyuk plays
The Ukrainian born Australian virtuoso pianist Alexander Gavrylyuk played in Sydney last night. The audience held their breaths as he wrung emotion from Bach, Haydn, Chopin, Scriabin, Rachmaninoff and wildly applauded whenever there was an opportunity. As the man in front of me nodded in time to Rachmaninoff's Preludes I wondered when he had last heard them played so convincingly. 

The little sketch above was made early in the evening and captured Gavrylyuk in one of his seldom upright moments. He danced with, pounded and caressed the piano, often bent so low that he looked as if he might hit his head on the music stand. Whatever his posture, his playing was extraordinary.

Tuesday, March 07, 2017

Daniil Trifonov in love

Daniil Trifonov plays
"It isn't about rapport with the audience, but total obsession with the instrument," said a man beside me to his friends. We were all waiting to cross the road after the Daniil Trifonov piano concert at Angel Place last night.

Yes, exactly, I thought. Those were the words I had been seeking.

I had made a few little pencil sketches of Trifonov as he began his concert but as time passed I found myself writing words instead.

Caress, I wrote.  Prayer, Abandonment, Touch, Determination, Structure (during the Shostakovich Preludes and Fugues), Gentleness, Love.

Love. Yes, that is it really. Trifonov loves his instrument, is in love with his instrument.

Virtuoso pianist Martha Argerich is reported as saying of Trifonov, “What he does with his hands is technically incredible. It’s also his touch—he has tenderness and also the demonic element." 
I wondered what exactly we would hear and now I know:  a pianist in love with his instrument - with everything else irrelevant.

Saturday, October 29, 2016

Pianists: Nelson Freire and Jayson Gillham in Sydney

Nelson Freire plays
You have to be pretty good to be touring internationally at 72 years old and pianist Nelson Freire is definitely pretty good. The program notes for his September concert in Sydney tells us he doesn't like to have a set program because he likes to play what he feels like playing at the time, as that is best for both the audience and himself. Happily he felt like playing Bach, Beethoven, Debussy and Chopin, deftly transporting his audience on a captivating journey. 

Both Freire and Elisabeth Leonskaya, who played in Sydney in August, demonstrate that age is no disadvantage for pianists, but rather the opposite.

Jayson Gillham plays
At the other end of the age scale for solo pianists is Jayson Gillham who played in Sydney last week.

Gillham is a young Australian pianist who grew up in central Queensland and reached the semi finals of the Sydney Piano competition at 17. He won the Montreal Piano competition in 2014 and now lives in London.

He played  Bach/Handel/Chopin to his appreciative home crowd. I am sure they will return to hear more of his meticulous playing whenever he decides to return.

Thursday, June 09, 2016

Lang Lang in Sydney

Lang Lang at the Sydney Opera House last night
(Photo by Christie Brewster from SSO Facebook page)
I saw virtuoso pianist Lang Lang play Tchaikovsky, Bach and Chopin last night and I have been trying to find a suitable noun to describe him ever since.  He is virtuosic of course and he is young and he is charming, but still there is so much more to him. I have decided the word is 'tender'. He plays the piano with such tenderness, even when he is playing Chopin's fiery Scherzi.

I was sitting in a box opposite the piano so although I couldn't see his hands on the keyboard I had a good view of his extraordinarily expressive face as he played. He smiles a lot, finding all sorts of amusement in the music. His body moves and jumps as it reflects the stories he is telling with his hands.

I was entranced to see his hands when he lifted one or other off the keyboard occasionally because they hovered like expressive, relaxed, floating flowers describing the melody in the air.  His audience couldn't help be captivated.

He is a remarkable ambassador for classical music, one of those rare pianists who can fill the opera house concert hall twice over (he is playing mostly Grieg next Saturday).  He is very keen for the next generation to learn the beauties of classical music and has developed an app to encourage them. How many other classical musicians have developed an app to help youngsters learn (or any app at all actually)? That says so much about him.

Tuesday, April 14, 2015

Louis Lortie in Sydney

Louis Lortie plays preludes
If you had told me I would be listening to 57 preludes one after the other,  I would have thought you were joking, but yesterday evening that is exactly what happened.

The virtuosic French-Canadian pianist Louis Lortie played 9 preludes by Fauré, 24 by by Scriabin and then, after an interval, Chopin's series of 24 preludes including the well known Raindrop Prelude D flat major. Lortie was wonderful as you can hear in this sample  and I came away with a whole new feeling for preludes.

Lortie played for nearly two hours, often looking towards the ceiling as he concentrated on his inner music. As he stood to take his bows he looked rather shattered, as if he was still in the grip of the music. I thought it very gracious of him to sign CDs with such good humour before he had really had time to recover.


Watch Louis Lortie play Chopin Etudes (below):


Sunday, June 08, 2014

Roger Benedict in Pearl Beach


Roger Benedict with Viola
(and Simon Tedeschi in background)
Last night Roger Benedict, Principal Viola with the Sydney Symphony Orchestra, gave a concert with well known pianist Simon Tedeschi in the small Pearl Beach Community Hall. It felt like one of those small venue concerts in Europe, great crowd, great acoustics and wonderful enthusiasm. And fantastic playing! So nice to hear more of the viola.

The concert was is part of the June long-weekend two day music festival organised by the Pearl Beach Progress Association. Long may they continue.

Saturday, March 01, 2014

Serena Wang

The extraordinary Serena Wang ... just nine years old with parents who are not musicians.  Listen to her play then read more about her here. 

 
 


Thursday, May 23, 2013

Arthur Rubenstein

Here's a wonderful video that records Arthur Rubinstein at the Steinway factory in Stellingen, a suburb of Hamburg 1966. He came to Hamburg to inspect his own favorite, personal Steinway D-274 piano which had been dropped from a crane somewhere while he was taking it on tour. It was sent back to the Hamburg Steinway factory for repairs.


There are surtitles to the spoken parts (see the info section.