Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, February 06, 2019

Waitangi Day music

Today is Waitangi Day in New Zealand, and a public holiday. It is day 6 of the music festival and I am pacing myself, staving off exhaustion. It is a familiar feeling about day six as the concerts and sketching combine to keep.me going beyond capacity.

I looked at today's program and wondered whether I had the stamina to attend: 10am - talk about recently (last 30 years) rediscovered Maori instruments and 2pm concert of NZ composers for those instruments and string quartet. 

I should have trusted the curators. It was one of the most moving concerts I have heard for a long time. I found tears welling up as the Maori flute (pūtõrino) and another long hollow instrument, both played by Rob Thorne, created sounds that seemed to connect the audience with eternity. He also played a conch instrument that sounded human and ethereal at the same time. These instruments were accompanied by string instruments played by the NZSQ to great effect.

Rob Thorne is an anthropologist and had been part of the group of four (including composer Gillean Whitehead and carver of instruments, Brian Flintoff) who explained the instruments this morning. I found his answers to questions thoughtful and nuanced. He is the sort of teacher you wish for every child (or, in our case, adult).

Addendum (8/2) : how you feel about music has so much to do with context. An Australian told me yesterday that he thought the 'piece' played at the concert was too long  and he was sorry the Maori music had not been more integrated with the western music. In fact there were 6 pieces played one after another (all described in some detail in the program). He looked very doubtful when I said I thought the music had been very successful in integrating the two cultural traditions but that the melding seemed to me to be the western musicians responding to the Maori instruments rather than the other way around.


Wednesday, August 08, 2018

Steven Osborne piano (or Hello Marcellous!)

It isn't often at a concert that you discover you are sitting next to someone whose blog you follow.

The Scottish (not English, thank you Marcellous for the correction) pianist Steven Osborne played Debussy and Prokofiev last night at the Angel Place Hall.
I love the music of the romantics, from Beethoven to Sibelius but have never been a big fan of French impressionists like Debussy.  Osborne, however, took the opportunity to talk to his audience before playing each piece (he said it relaxes him) and told us a bit about composing music which gave me a better insight into this music. He said it is relatively easier to compose a piece in which a couple of tunes fit into an agreed structure than a piece (like Debussy's music) which is a single piece carrying itself forward without a pre-agreed structure. I listened to the Debussy pieces more attentively than I would have done without the explanation.

My seat neighbour didn't seem terribly enamoured with a pianist talking about the music before playing. He had swept in just before the concert, with bright pink scarf flying and a glimpse of red rimmed button holes on a black coat.
Something about the way he listened to the music made me think he may be a pianist himself, so I asked him during the interval.
'Yes', he said, ' Well no. Well I used to be! But yes!'
He turned and asked me, 'Are you?' 
'No.' 
'You're an artist or something?'
(I'd doodled little sketches of Osborne in my program.)
'Yes.' I said. 'Yes, and I often paint musicians.'
He considered.
'Did you grow up in New Zealand?' he asked.
'Yes I did,' I said, thinking he had picked up my accent. 
'Oh,' he laughed, 'I read your blog! And you read mine!'

How often do you find yourself sitting next to someone whose blog you follow? The blogs I follow are an eclectic bunch, usually discovered by accident and mainly well written diaries giving me an insight into lives different very from my own. Among them are a couple of blogs written by people who know much more about music than I do and who sometimes hear the same concerts I have heard. I visit their blogs to read what a formally trained musician thinks of the music I have heard - although not before writing my own impressions. 

'Well I wonder who you are?' I replied rather disconcerted. 
Angel Place hall holds 1200 people and even if you know another blogger might be in the audience, you don't expect to be sitting next to them, or if you are, you don't expect to be told.
'Are you Marcellous?' I asked. 
Once or twice in five years Marcellous and I have commented on each other's blogs, which puts us, I suppose on the end of the friendship spectrum below 'vague acquaintance' level. 
He laughed. 'Yes I am!

It was a very odd feeling discovering the reality behind the blog, a feeling we seemed to share. But perhaps if we are seated next to each other again we might find we have progressed up the friendship table to 'more than vague acquaintances'. 

Hello Marcellous! My spell-correct keeps changing your name to Marvellous.

Wednesday, August 23, 2017

Two times Parsifal

If you look at blogs about recordings of Wagner's music you find connoisseurs discussing which singer is best on which recording. Each recording has one or two blemishes together with outstanding performers.  It is rather a pity that the Sydney Parsifal was not recorded (at least not to my knowledge) as there were no blemishes at all.

Music is so therapeutic. I was still energy-less after a nasty travel gastro when I booked the Tuesday performance (I had already booked Saturday). I thought the music would help recovery and I was right. The Adelaide Ring Cycle had helped me in similar circumstances, resulting in a book.

Sunday, June 25, 2017

Leipzig- present and past

This is my favourite photo of Leipzig. It seems to encapsulate the city. Music and musicians are so much part of Leipzig but so is being lively and different.

Leipzig has many layers though. Not far from where this musician is playing are two museums devoted to the often difficult history of the city.

One of them is called the Forum - it is free and is devoted to contemporary German history since 1945. It is several stories and full of information about former East Germany and what it was like to live there.
Russian uniform (front) and East German uniform
It felt as if the city father's wanted to be sure the upcoming generation were informed of their past.

The Forum seems to be circular and is easy to get lost in. There are so many corners of video screens, displays and posters I felt rather overwhelmed. I guess I'd read a lot of it already, one way or another.

I decided a maze of DDR paraphernalia was all too much early in the morning but I couldn't find the exit and had to ask how to get out.
Hmm.
Stalin-at the Leipzig Forum

Wednesday, June 21, 2017

Nena

Nena on the cover
of Blitz magazine
Brava to Nena, still going strong after all these years. This is the current issue of Blitz magazine,  picked up at the friendly Italia restaurant.

Nena is, I think, the only German singer who hit the top of the pops chart in America. We all know her song 99 Luftballons.

Tuesday, May 02, 2017

Music, coffee, etchings, art

Coffee grinder with (Wagner) music
At Art School in 2008 I had a wonderful time in the print workshop. 'Print' as in etching, intaglio,aquatint, relief ... not print as in photocopying.

Before spending time in the print workshop I had thought that multiples of etchings were as easy to produce as photocopies, that one turned the handle several times and out would pop several etchings, all the same. Little did I know. (If you do see etchings all exactly the same, with multiple colours, then you are  looking at work of a print-master.)

I worked like a crazy and learned a great deal. One of the etchings I made was of a coffee grinder - with some of Wagner's music in the background (of course).

The other day I found the  coffee grinder cutout I worked from and was about to throw it away. Then I discovered it has a charm of its own.
Coffee, coffee, coffee.

As my print teacher Neil Emmerson told me, the product is sometimes an e-product - and that's fine!

Neil is celebrating 10 years at Dunedin Art School this month with an exhibition of work by teachers and students.

 

Thursday, February 23, 2017

Blue Tulips as Paperback

Yaay! I got my copy of Blue Tulips: A Love Story in the mail today!

It is looking good ... quite a hefty tome at 430 pages.

Blue Tulips: A Love Story is a book that demonstrates how potent Wagner's music can be as a love potion (and aphrodisiac!)

 Blue Tulips: A Love Story is now available as paperback



Available as e-book at: https://www.amazon.com/dp/B00B1T64E0

Saturday, February 18, 2017

Wagner's Music as Love Potion

Wagner's Music as Love Potion? Blue Tulips: A Love Story is a book that demonstrates how potent this love potion can be.

Blue Tulips: A Love Story is now available as paperback



Available as e-book at: https://www.amazon.com/dp/B00B1T64E0


Wednesday, November 11, 2015

Richard Gill, music educator

"It's a paradox. Music has this incredible power to evoke, but we don't know what it evokes. You can't talk about it as being 'very emotional' or 'very passionate' because that's bullshit.  So I only ever talk about it in its own terms - technical aspects of the music and the way the orchestra works and the way the keys work." 
Richard Gill (photo Limelight magazine)

That is typical Richard Gill, in an excerpt from the Discovery Series program.

Gill is a passionate and internationally acclaimed educator who has captured the hearts of the many Australians who have either been given a chance as young musicians or educated into classical music through his efforts. 

I attended the last of his concerts yesterday and his audience gave him such a wild clapping and stamping ovation as I have ever heard in the Angel Place concert hall, all the more remarkable because most of  the audience at this 6:30 performance were well over retirement age, not usually a foot stamping age.

Yesterday was the last of the Discovery Series concerts and also the very last concert by the Sinfonia, which is the SSO mentoring orchestra established by Gill in 1996.  Gill expressed some surprise that both are finishing. Let's hope they are replaced by equally vibrant alternatives.

Wednesday, October 14, 2015

Dessert with the lutenist

Dessert with the lutenist
I looked through the photos the photographer Dejan Bulut took at the Maribor festival and found one with expert lutenist Axel Wolf. We were at the post-concert reception held on about the third night of the festival, sitting on a period sofa eating dessert. We're looking very relaxed - thank you Dejan.

I am wearing my bright pink backpack with art materials that I seldom take off in Maribor. It was such a fun time and looking through Dejan's photos reminded me of what a pleasure it had been to be there.

Below is another photo by Dejan, one of the building where the reception was held. Also a  sketch I made of Axel playing with the orchestra (center right).
Photo: Dejan Bulut
Rehearsal at Maribor

Saturday, September 19, 2015

2015 Maribor Festival draws to a close

Tara Simincec
Jaka Stadler
Richard Tognetti

The Maribor Music Festival is almost over for another year. As always, it was a fantastic journey, lots of different music and a diverse array of performers. I have painted musicians and Maribor for the last 10 days and will have their music in my head for months to come. It is an exception festival in a lovely town and all the people who visited this year are hoping the organisers will find a way to hold it against next year.

If you have never been to Maribor, put it on your buckt list. It's gorgeous! I just went for a last-night-at-Maribor stroll - here are some photos.
At the wine bar on the river Drava
Wine at dusk

Swans on the river Draver at sunset

Town square lights and monument
to plague victims

Monument to plague victims

Thursday, September 17, 2015

'The Woman Project' : a breath of fresh air

Satu Vänskä plays violin
Satu Vänskä's The Woman Project was packed full of very diverse work and the performers were as diverse as the music: the festival orchestra, a girls choir singing Hildegarde Bingen's work, a musical ensemble of young locals playing Mozart (led by Mozart himself after a clever change of clothing by Richard Tognetti), caberet artist Meow Meow mimicking a sexual encounter (in German) as only she can do, singers Satu Vänskä and Nica Goric among others. Videos and still shots provided context, from witch burnings (so many wood cuts) to 17th/18th/19th century paintings of nude females among clothed males (so many of them too!)

Despite the diversity the program had a common theme: how our male oriented society is missing out on so much work that could have been ours if only women were regarded are capable of composing. Women have composed (Fanny Mendellsohn, Clara Schumann etc) but critics have an unacknowledged preference for male composers, so we lose works by women. There are more female composers nowadays (especially in Slovenia), but not so very many.

The program notes were different to the normal as well, with direct and pertinent comments about the female condition. The festival booklet is really worth keeping this year.

The program divided the audience, with some saying it didn't acknowledge progress or women's considerable achievements. The program was unrelentingly depressing, that is true (except for the young singers and musicians) , but despite that I loved it. I think we have to acknowledge our history if we are going to progress and seeing women's history presented so critically is affirming in an odd sort of way. If you consider our collective history it becomes clear why we have issues with domestic violence and lack of female representation in our elected governments etc. It also gives women a feelling of not being alone in a world where women often feel they have drawn the short straw.

A program like this gives us a starting point and encourages us to make greater efforts to deal with misogyny in society.


Sunday, September 13, 2015

Satu Vänskä and Sibelius

Satu Vänskä plays
We have heard some wonderful playing this week at the Maribor Music Festival, not least Satu Vänskä who played us a violin marathon, the Sibelius Violin Concerto in D Minor.

Seeing a Finn, this Finn particularly, playing Sibelius was a treat.

Sketching in Maribor

Musicians in rehearsal
The Maribor Music Festival is in full swing and I am making lots of sketches of musicians and of Maribor town.

People have been asking to see them so today the very helpful receptionist at the Orel Hotel next to the town square helped me hang some in the reception area. Two sold almost as soon as I put them up to members of a walking tour who are spending some days here at the festival.
Angelika
Maribor: the Drava River


Sketches hanging at the Hotel Hotel

Saturday, September 12, 2015

Maribor Castle

Maribor Castle
Maribor is such a pretty place, particularly the old city. The Maribor Castle (left) was built between 1478 and 1483 and nowadays it houses the local museum. It looks out over one of the most loved town squares in the city. There is a larger town square which a grand sculpture in its center but it is not nearly as vibrant.

The Maribor Music Festival is underway and the post concert parties have been keeping us out until past midnight these last three days.

Last night it rained and I discovered the town square is as pretty on a wet night as it is on a dry day.
Maribor Town Square on a wet night
Maribor Castle at night

Thursday, September 03, 2015

Music in the Cathedral

The nave of Antwerp Cathedral in full of music, with a row of display boards with old manuscripts and explanations of each of them.
Show and tell: music in Antwerp Cathedral

In one chapel of the cathedral is a sound installation, a very modern installation playing very old polyphonic music.
Music manuscript


Sunday, June 28, 2015

Richard Egarr, Satu Vänskä and the ACO

Harpsichord waiting for Egarr to appear
Baroque music. Somehow the name sounds so staid, as if the music might be constrained by tight corsets. Women did wear corsets in the 16th and 17th century but there was an exuberance in fashion at that time and if  the baroque concert I heard yesterday is any indication, that is what we should judge the music by.

Baroque music expert Richard Egarr conducted from the keyboard, or keyboards actually because he played three 'old' instruments.

Richard Egarr (from ACO website)
Egarr is a pleasure of a man, explaining to his delighted audience what they should be listening for in the context of the time and teasing the orchestra by his unexpected improvisations which is, he said, exactly what baroque musicians would have done. (In Melbourne a mobile phone went off and Egarr reportedly improvised to include the mobile tune in his playing.) The Australian Chamber Orchestra, who accompanied him obviously enjoyed Egarrs theatrical flourishes and whimsical  improvisations.

Another great pleasure of the concert was hearing ACO Principal Violin Satu Vänskä play the solo lead in Bach's Concerto for Violin in A minor. She  has the most malleable right arm of any violinist I have seen. It flows in a mesmerisingly fluid dance as she plays. She reminded me of a weeping willow in the second movement, swaying and bending as she played. She was supported by the delicate and precise playing of her ACO colleagues and it made me feel like weeping.

Monday, March 09, 2015

Erik Satie played by mini-Maestros

This is a 'must watch' video. The piece is Erik Satie - Gymnopédie No.1, for those who are wondering...
Conductor at Klara Pre-school

Turkey in Music


Turkish music enthusiasts packed the Capitol Theater in Sydney last Wednesday to hear seven virtuosic 'Masters' of Turkish instruments, the Orchestra of Samsun State Opera and Ballet and several Australian guest artists play and sing.  The delighted crowd gave them a standing ovation after almost two hours of non-stop playing and singing.

Tuesday, December 02, 2014

Misogyny in Australia

One women is killed every eight days in Australia by her partner or former partner.  They call it the silent epidemic. Why is it silent? Why are we blind?

We are a society where the pay gap between men and women is now 17% , where business characteristically overlooks women when appointing board members (still less than 19%) and where half the population is represented in the Federal Government Cabinet by a single solitary woman. That solitary woman is vocal about 'not being a feminist'.

Misogyny has become so much part of the political fabric that parliamentary commentators were caught on the wrong side of the fence when Julia Gillard defended herself from charges of misogyny by Tony Abbott in Parliament. They wrote articles chastising Gillard for her speech while the speech video went viral, shared by men and women across the country who were sick of the misogynistic venom that Gillard had faced. Later a choir made music to the speech and I like to think this might be the turning point, a point where we start to rethink our values.