Imogen Cooper plays |
You
have to be careful what sort of concert you hear after a five star
Parsifal but I think I chose just the thing. I heard pianist Imogen
Cooper playing Beethoven and Hayden at the Sydney City Recital Hall.
Cooper
is as expert in her field as the Parsifal singers were in theirs and
the program she chose was clever as well. Light-hearted Beethoven Bagatelles leading into a serious Hayden then a fun Beethoven Variations (yes, Beethoven can be surprisingly witty) before a sombre-piquant piece by Adès leading into Beethoven's Sonata 31, the final piece.
Cooper played the Bagatelles with impish charm. Actually charm sums up a lot of Cooper. She is humorous and enthusiastic and it shows in her music making. After the
concert someone near me complemented her playing and she replied “ Well I
enjoy playing for you so it's a win win situation."
After
the fun pieces she jumped up off the piano stool to bow with a grin but the final Beethoven sonata was different. Captive to the
music, she came back to us with much more difficulty. I find those
exposed intimate moments so telling. The feeling was mirrored in
her.listeners who clapped her back onto stage again and again - not so
common in Sydney audiences.
Music played with aplomb and depth of feeling. Cooper and Parsifal have lots in common.
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