
Ceramic of course! I was delighted with this one. Click on it to see the music.
The ceramic artist Ah Xian gave a talk at the art school last week. His amazing decorated porcelain busts are held in many prestigious collections but despite his success Ah Xian remains disarmingly humble. A delightful fellow.
If you apply honey glaze then a chun#2 glaze to the rim and fire at 1300C, this is what you get. It looks a bit faded to me but a classmate liked it best of all my pots. Just as well we all have different tastes.
It had iron oxide slip applied, then rubbed back honey glaze. I took it home immediately so I could admire it and mull over how to use this glaze in future work.
It has taken me a while to get my web management software working again after the laptop got fixed but finally I have put some new work up on artsmitten: sketches done at art school.

The turquoise smaller notes though were rather accidental - and after firing it is they that are really inspiring. Sometimes accidents deliver nice results. 

This plate (about 30cm diameter, from the same mould as the plate below) had two firings. The first firing was at 1080C with an alkaline glaze. Then I added the slip edge and some turquoise glaze before re-firing at the same temperature.
The trick is to put enough slip on the plate. If you paint the slip on you need at least three coats. Of all the plates I made in the 'Plate Project', the terracotta plates with white slip interested me most. Perhaps that is because they provide a good canvas for drawing.

This zipper plate was made by making a mould with a zipper pressed into it. The name on the zipper, Luigi, is intelligible through the glaze.
It is peaceful despite the location as the thick walls are great insulation.
The ceramics workshop is a congenial place to work.
This is a painting by Rupprecht Geiger called 402/64. Geiger was one of Germany's foremost abstract artists and painted mainly in red. (His obituary in 1996 was titled 'A life for the colour red.')