Showing posts with label Stefan Mickisch. Show all posts
Showing posts with label Stefan Mickisch. Show all posts

Friday, July 25, 2014

Explaining the Tristan Chord

The Tristan Chord, the beginning of modernist atonal music. Here the wonderful Stefan Mickisch explains the Tristan Chord to Stephen Fry.

It is Bayreuth opera time again and if you are one of the fortunate ones going and Mickisch is presenting his 'play and tell' shows, be sure to go along. I have heard lots of people explaining Wagner, some with great musical abilities, but Mickisch outshines them all. He is competent, amusing and humble. A true musician. In 2006 I drew Mickisch as he talked - portrait below the video.




Stefan Mickisch plays and explains

Portrait of Stefan Mickisch In 2006 I attended a seminar given by Stefan Mickisch in Bayreuth. I drew several small portraits as he spoke and showed him afterwards. He asked me if he should sign one and, after a little hesitation (remembering the Helen Clark portrait) I said 'Well yes, why not'. I value this little picture, painted as Mickisch played. It reminds me what a nice (and very erudite) person I had the honour of listening to.

Wednesday, May 22, 2013

Happy Birthday Richard Wagner

Happy 200th Birthday Richard Wagner!  On this 22 May there are Wagner-comments all over the blogosphere, ranging from the less than enthusiastic book by his grandson Gottlieb (whom others say has been dining off the family name for years) to ecstatic congratulations of music lovers. 
Wagner: etching (2008)

We have all heard stories about his antisemitism but one of his most virulent accusers, Joachim Kohler, has had a change of heart. In 1997 he portrayed Hitler as Wagner's creation (Wagner's Hitler -- The Prophet and His Disciple)  but in his 2004 book Richard Wagner:The Last Of The Titans his  "reading of the letters, diaries, and other documents of the main protagonists... results in some breathtaking but convincing reappraisals".

Regardless, Wagner certainly changed the face of western music.

Wagner was the first conductor to face the orchestra so he had eye contact with the musicians; was the first to write music that reflected the emotional journeys of the characters in his operas; the first to build an opera house with wonderful acoustics but with the orchestra hidden from view so as not to distract from the performance taking place on stage; the first (and only?) composer who instructed the orchestra not to drown out the singers as the audience had to understand the story; one of the very few (are there others?) who wrote his own librettos (or musical poems as he called them), then set them to music.

When you read his autobiography My Life you marvel at how, with so little formal education, he could produce these works of wonder.  And when his music gets under your skin, you are forever changed.

Stefan Mickisch, a man with a gift
for explaining Wagner's music
( 2009)

Festspielhaus - the Opera House that Wagner built in Bayreuth
(painted in 2009)