Showing posts with label Lisa Gasteen. Show all posts
Showing posts with label Lisa Gasteen. Show all posts

Tuesday, February 25, 2014

Elektra in Sydney

Christine Goerke as Elektra

Last night I a saw an electric concert performance of the opera Elektra with sopranos Christine Goerke, Lisa Gasteen and Cheryl Barker in the lead roles (Elektra, her mother Klytemnestra and her sister Chrysothemis). Stunning singing from all three ... I can't imagine a better cast. They performed with the Sydney Symphony Orchestra lead by David Robertson, their new Chief Conductor and Artistic Director.

It is wonderful to see singers of this caliber in Sydney. They can not only sing over a huge (expanded) orchestra, they can act as well. In the final scene Christine tripped over her dress and fell but she disguised it so cleverly you would never have known it wasn't a choreographed movement.

I am sure if the SSO continues to put on such treats (filling the gap left by Opera Australia)  they will continue to attract huge audiences as they did for this performance. I went to see both Elektra performances, Saturday and Monday, and I know it is imprinted on my memory forever. Go SSO!

More images are online here.
 
 

Saturday, August 10, 2013

Lisa Gasteen returns


 
Simone Young conducting ... sketched in my program
Simone Young conducted the Sydney Symphony last night with Lisa Gasteen singing Wagner's Wesendonck Lieder. She sang with tenderness and secure voice delighting the Sydney audience. The last time I heard Lisa Gasteen  sing was in 2004 when she sang a wonderful Brünnhilde in the South Australian Ring Cycle. In 2008 she pinched a nerve in her neck while picking cumquats of all things and was forced to give up singing. Let's hope this is concert is a portend for good things to come.  

Young then conducted a fiery Bruckner's 9th Symphony and judging by the response the audience would have happily heard the whole thing twice over.

Addendum: I have just read through the notes about Wagner in my program and I am wondering why those who write about his music often seem to fall into the trap of repeating scuttlebutt and innuendo.  I looked the writer up and discover he is a not-unsuccessful local composer. I recommend to him that he read Wagner's letters to Mathida Wesendonck. I am half way through them, reading them slowly and often backtracking as they are so captivating. They explain so much about Tristan and Isolde. I don't think you could read them (together with Mathilda's notes about them) and still write the sort of commentary he wrote in the notes. The Lieder and music of course speak for themselves.