The woman in the seat next to me at the Australia Piano Quartet concert at the Sydney Opera House Utzon Room yesterday was reduced to tears by their playing of the Liebestod from Wagner's Tristan and Isolde. As she blew her nose afterwards and tried to recompose herself, I reflected on the power of music to move us. The piece had been arranged by the APQ for quartet so there was no soprano, but this music is so evocative that an instrumental version played by a virtuoso group like the APQ is capable of exciting extreme emotional response.
Schumann's Piano Quintet in E flat Major (Anna de Silva Chen joined the group as second violin) followed Liebestod. Wonderful music played with passion.
Showing posts with label Liebestod. Show all posts
Showing posts with label Liebestod. Show all posts
Monday, June 13, 2016
Thursday, April 28, 2016
Omega Ensemble in Sydney
When I saw that the Omega Ensemble had put Wagner's Tristan and Isolde Vorspiel and Lebenstod at the beginning of their concert program last week I wondered if the programmer had had a mental lapse. How do you follow such music? Abrahmsen has a rich creamy voice and as she sang the Liebestod I wished it had been at the end of the evening instead of the beginning. (She sang Strauss's Four Last Songs as a finale.)
Fortunately the composer of the second piece, Andrew Ford of the ABC music show, was on hand to introduce his own piece Contradance which followed the Liebestod.
The first thing he said was 'Well, how do you follow that? Perhaps by me keeping talking so there is a sufficient gap."
That is exactly what he did and by the time we heard Contradance we were in the right mood. Contradance was so different to what went before that there was no clash, but still I was pleased he had taken the time to create a gap.
Thirteen musicians performed on the evening but I was fascinated by the pianist Maria Raspopova. She is tall and sits very straight at the piano with her long legs tucked underneath. She added wonderfully to the sound of the group and was a pleasure to watch.
It was a successful evening, even if I would have wished for Isolde at the end instead of the beginning!
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| Maria Rospopova plays |
The first thing he said was 'Well, how do you follow that? Perhaps by me keeping talking so there is a sufficient gap."
That is exactly what he did and by the time we heard Contradance we were in the right mood. Contradance was so different to what went before that there was no clash, but still I was pleased he had taken the time to create a gap.
Thirteen musicians performed on the evening but I was fascinated by the pianist Maria Raspopova. She is tall and sits very straight at the piano with her long legs tucked underneath. She added wonderfully to the sound of the group and was a pleasure to watch.
It was a successful evening, even if I would have wished for Isolde at the end instead of the beginning!
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