Thursday, October 11, 2012

Siegmund's cheek

When I left home late in August I left my large painting Siegmund (portrait of the wonderful New Zealand tenor Simon O'Neill) sitting on my easel so that when I came back in October it would be the first thing I saw and I could decide if I liked it.
Siegmund's cheek

Now I'm back and I like the painting so much I have hung it on the studio wall. What is it that I find so appealing? Perhaps the painterly quality and colour balance?
Studio wall











You can see a close up of the painting at artsmitten though unfortunately it doesn't look nearly as good in the photograph as it does in real life.

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